It’s time to break following 6 Cliches in your photography

Photography is an art form. And ART is subjective in nature. It is difficult to define what is cliche and what is not. But, there are certain types of photographs that are too common over the internet and normally they are considered as a cliche.

Cliches are called cliches for a reason. They all started as a normal thing. Normally they are very good ideas and that’s why they became so popular in the first place. But at some point their overuse by people make them a cliche.

With the ever growing market of cheap consumer level DSLRs and PRO phone cameras, Everybody is now a photographer. If you are somewhat serious about the art of photography, you need to stop doing following photography cliches and start bringing your own creative touch in your photography.

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1. Always using Black and White for Street Photography.

We all at some point or another, tried our hands at street photography. It looks artistic and classy. But why everyone is converting their street photographs to black and white?

Most of the famous street photographers had their work in black and white because they belong to black and white film era. At that time, either color cameras were not present or too expensive. So, their work is mostly in black and white. Most of the iconic street photographs are black and white.

Now that we have powerful DSLRs, there is no need to go for that look. Only go for black and white if it makes sense. Lets suppose, you want to get rid of uncontrolled distraction (different colors of cars and sign boards that don’t go with your color theme) or you want to emphasis on light and shadows.

The first image here is of a Porter on Karachi Railway station. Black and white won’t work here as people will not able to distinguish his specific Green,yellow and red uniform.

Porter on Karachi Railway Station

This second image is of a butcher in Muscat city. This whole image is pretty much teal in color and converting it to black and white will render an image with very less contrast.

Black and white is a creative choice. Don’t blindly use it because most famous street photographs are in black and white . Understand its PROs and CONs and do it creatively.

Butcher in Muscat

2. Punchy High Dynamic Range (HDR) images.

High dynamic range photography is a process where you capture multiple images. One for each shadows, highlights and mid tones. You blend them together to make an image with details in both dark and bright areas. It all started when camera sensors were not that strong as they are now a days.

Today’s consumer level DSLRs and even high end point and shoot cameras have very powerful RAW image processors. All you have to do is to adjust highlights and shadows along with blacks and whites and you are good to go. 

Processing single RAW file will give you much better and natural results than blending multiple images. Yes, HDR blending has its own place. It comes handy when there is too much contrast in a single image. But overall HDR images look unnatural and over processed.

Both of the images here are HDR images of a Mosque from a single RAW file. I only used shadows and highlights adjustments to bring details in specific sections. You can see the details in both bright and dark areas.

Grand Mosque Muscat
Grand Mosque Muscat

3. Sticking to rule of thirds at all time.

Almost everybody know the rule of thirds. It’s the first rule that you learn when you start learning composition in photography. Rule of thirds is very scientific in nature and 9 out of 10 times it gives you good results. And that makes it a Cliché.

There is a famous saying that ‘Rules are meant to be broken’. It’s true. Just by deviating away from some industry standard will automatically make you stand out among the crowd. But it has to be done with care. You can avoid the rule of thirds in symmetrical compositions very easily. You can avoid it in minimalistic shots as well.

With practice you will come to know when you will get better results by not following this rule. Whenever you shoot some picture, always experiment with different versions. Rule of thirds is a good starting point for your composition. But since everyone uses it all the time, it’s a bit boring.

Alternatively, you can place your subject in extreme sides or corners and still make an attractive composition by placing some elements on opposite side to balance it.

Both the sample images here doesn’t strictly follow rule of thirds but still they have an interesting balance and composition.

Royal Opera House Muscat
Jebel Akhdar Mountain

4. Following histogram religiously.

Histogram is very powerful tool that lets you decide whether you have a properly exposed picture or not. Understanding histogram is of prime importance. Just by looking at it, you can tell whether you have pure whites or pure blacks in your image, i.e. whether you lose details in highlights and shadows or not.

The problem is, histogram only tells you the range of the brightest and the darkest pixels in your image. It doesn’t know what you want to shoot actually. If you want to shoot low key or high key image, the histogram will show that you are clipping shadows or highlights. In this particular case, I want to shoot a low key silhouette image in Muttrah Souq, Oman. It is ok since I deliberately want to clip both shadows and highlights. It’s your creative decision.

High contrast image with histogram

Histogram is also good when you have an inconsistent LCD screen on your camera. Camera LCDs are normally much brighter than actual image is. Sometimes the image looks properly exposed on screen, but actually it’s a bit underexposed. You have to pull shadows in post later on to balance it and it will introduce some noise.

Checking histogram will tell you this at the time of the shoot. You can adjust your settings in camera, and you don’t have to push it in the post. You must know how to read a histogram. But you should also know when to follow it and when to follow your own creative guts.

5. Using Image Borders

Gone are the days when the only outcome of photography is the wall mounted frame. This age is the age of social media. Yes, wall hanging frames still have their own place. You can’t deny that. But making your image compatible over the internet is important.

People normally add borders because of two reasons. Either their frame corners are not tight enough and they need some sort of borders to keep it under boundary or their subject is not prominent enough.

Try framing your image in a way that it naturally creates a border around your subject. You don’t have to use frames within frame technique all the time. Just try to look around the edges of your frame and place something strategically to guide viewers’ eye.

Here I shot these three guys walking in Nizwa market in Oman in a way that it creates a natural frame around them. Although it only covers left and right side of image.

Nizwa market in Oman

Another technique is to use a vignette in your images either by using dodge and burn technique or simple darken your edges and brighten the subject. In this image, the sky is completely plain, so I added a little vignette to create a border.

Architecture build

6. Using cliché Lens choices.

It is common to shoot Landscapes with wide angle lens, Street photography with 50mm and portraits with an 85mm or 100mm lens. Thousands of images are uploaded over the internet on a daily basis that follows the same exact rule.

Every other shot that follows these clichés looks almost identical. Like the rule of thirds, these lenses will give you great results. The wide angle lens lets you include foreground and background both in focus. Telephoto creates simple background with flattering facial features. But try something different to create a new perspective.

Like I shot this landscape and architecture image with a 50mm lens. It’s a totally different perspective of this place as compared to all other pictures of the same place. You can try portraits with a wide angle and street photography using telephoto lens as well.

The Road
Grand Mosque

Conclusion

It doesn’t mean that you should not use these techniques at all. Using a bit of all of these techniques in moderation is all you need to avoid clichés.

It’s really hard to find the subject that has never been photographed before. Try to look subjects in a different way. Try different angles. Try different lenses and filters. Try different post processing techniques that are not common.

One interesting way is to start a project of photographing the same subject in 15 different ways. It will force you to look at the subject in an entirely different way. That practice will help you in your photography in general.

Again photography clichés are not bad. It’s just that they are way too common and they won’t help in bringing your very own personality in your photography. Now, try to be creative and tell me in the comments section which cliché you find most annoying.

Photography Composition Essentials: Negative Space

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I am a big fan of composition articles on internet as I consider composition as one of the most important topic in photography. If there is only one thing that can create the biggest impact on your photography m then it is composition. It is the key to successful photographs. I do agree that lenses, camera bodies and other accessories do affect your photography to a certain level. But if you don’t want to spare a dime and still want to make huge difference than start concentrating on your compositions from now on.

In fact , it’s a good exercise and challenge for all of us who are suffering from GAS (Gadget addiction syndrome) is to stop looking for good and cheap deals for camera bodies and lenses and start giving more attention to our COMPOSITIONS. Just make a promise to yourself that for the next six months I will not buy any new equipment and just experiment with composition techniques to make my photographs stronger than before. After this , you will be amazed how much this will affect your photography in the long run.

So to start with myself, I am starting a series of posts on composition techniques of photography. I will try to write one post every week for each technique and attach some of my own photographs for samples. You guys can post your stuff in comments and I will add them here as well. Since I am a big fan of minimalism, I will start off with NEGATIVE SPACE.

Negative Space:

Negative space is actually a breathing space in photograph. It is a place where viewer’s eyes can rest after observing other details in photograph. It will actually calm down your eyes and ease your mind. It brings a sense of serenity to image. The viewer will feel more comfortable and can concentrate more on the subject rather than wondering around distractions. Check out some of my samples and observe the use of negative space in composition and do submit your so that I can attach them too for better understanding.

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lone survivor by Imran Zahid

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Yiti beach by Imran Zahid

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Fishermen by Imran Zahid

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Standing tall by Imran Zahid

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Why so serious 🙂 by Imran Zahid

A beginer workflow to STREET Photography

Street photography is one of the most feared and uncertain type of photography in which almost nothing is in your control and almost everything is based on luck. A lot of new photographers who like street photography because it’s classy/candid look and feel are very nervous because it demands too much time and luck.

Also the success rate of these types of shots is also very low as you get a lot of crappy shots when you come back home and try to edit them. A lot of factors are there that can go wrong very easily like improper focus, background distractions, photo bombing etc not to mention a lot of time you need to face people’s anger and sometime security issues. But guess what? That is the reason that makes street photography so much satisfying and fulfilling because after so much frustration when you get proper shot it worth a lot. You can easily compete with any professional photographer if you have a decisive street photography shot.

Like any field, if you carefully analyze the problems, you can come up with some workflow that will produce maximum results with very low chances of getting things wrong. I am by no means a pro street photographer but over the time I have come up with a workflow that works for me most of the time.

Look for interesting faces / Emotions.

This is by far the easiest step in getting interesting photos. Look for older people or children. Their faces are very expressive. Also people with unique clothes and emotional state make your photos pop because of their unusual settings.

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Look for related or contrasting background and foreground interest.

Street photography is all about complete environment. You should try to guide viewers from subject to background. And to do it seamlessly your background should be related. Highlight your subject but try to put some meaningful and unobtrusive background as well. Don’t try to completely remove it or use too simple background, as it kills the purpose of street photography. Also sometimes a very contrasting background makes a strong visual statement as well. Play carefully within limits.

Look for some truly beautiful geometric composition.

This is where street photography gets visually very interesting. But it’s also very difficult and if you nailed down this aspect you will get a master piece. Composition is always the key.

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Look for some tried and tested conditions.

Look for some unique shadows or nice reflections on glass or stagnant water on streets. Contrasting lighting conditions both during day and night is also very dramatic. Symmetry and repetition is also very pleasing to eyes.

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Shoot in both Color and black and white

Its very tempting to always shoot in black and white because it looks classic and it suppresses a lot of background distractions. But a part of these two reasons, try to learn other aspects of B&W also like shadows, textures and contrast. B&W tends to look a little more sharp as well. But color has its advantages too. Sometimes a photo with color is more interesting than B&W as its more natural cause we used to see in colors.

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Always wait for the DECISIVE MOMENT.

This is by far the most important point of street photography and the whole topic revolves around it and that is why I make it a separate heading and not a pointer .Before clicking just think is it the right time to take it. How it will work if I wait a little longer or If I click a little earlier. If it makes a difference, do it accordingly. This is the point that actually creates a story.

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Below are some of the side thoughts that you should keep in mind and that will come handy all the time.

1.       Be courteous to your subjects at all times. Don’t try to exploit them. If they don’t want to be photographed, leave them alone. You will get a million other opportunities. Be ready to say sorry and smile and never confront with local people.

2.       Make yourself familiar with that place. A little planning will never hurt. Try to come to same place again sometime. You will be already familiarized with locations and its settings. That will help you to plan your shot in advance.

3.       Talk to people after you photographed them. Give them your business card. Ask them if they want these photos and send them later through email as a courtesy. Make them friends. It will be much more fun and less daunting.

Conclusion

Don’t expect that every time you go out for street photography, you will get some master pieces. It’s very difficult, so be patient and try to enjoy the whole process of getting shots and not just the final shots. Try to improvise as you learn. These are just few pointers that I compiled because they worked for me. Try to come up with your own tips and tricks. I am working in Middle East where people are generally not very friendly and they are suspicious of camera as well. But if you have a nice friendly smile on your face and you are not intruding their personal space aggressively than its very a enjoyable process and not to mention that final result is much more satisfying.

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