It’s time to break following 6 Cliches in your photography

Photography is an art form. And ART is subjective in nature. It is difficult to define what is cliche and what is not. But, there are certain types of photographs that are too common over the internet and normally they are considered as a cliche.

Cliches are called cliches for a reason. They all started as a normal thing. Normally they are very good ideas and that’s why they became so popular in the first place. But at some point their overuse by people make them a cliche.

With the ever growing market of cheap consumer level DSLRs and PRO phone cameras, Everybody is now a photographer. If you are somewhat serious about the art of photography, you need to stop doing following photography cliches and start bringing your own creative touch in your photography.

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1. Always using Black and White for Street Photography.

We all at some point or another, tried our hands at street photography. It looks artistic and classy. But why everyone is converting their street photographs to black and white?

Most of the famous street photographers had their work in black and white because they belong to black and white film era. At that time, either color cameras were not present or too expensive. So, their work is mostly in black and white. Most of the iconic street photographs are black and white.

Now that we have powerful DSLRs, there is no need to go for that look. Only go for black and white if it makes sense. Lets suppose, you want to get rid of uncontrolled distraction (different colors of cars and sign boards that don’t go with your color theme) or you want to emphasis on light and shadows.

The first image here is of a Porter on Karachi Railway station. Black and white won’t work here as people will not able to distinguish his specific Green,yellow and red uniform.

Porter on Karachi Railway Station

This second image is of a butcher in Muscat city. This whole image is pretty much teal in color and converting it to black and white will render an image with very less contrast.

Black and white is a creative choice. Don’t blindly use it because most famous street photographs are in black and white . Understand its PROs and CONs and do it creatively.

Butcher in Muscat

2. Punchy High Dynamic Range (HDR) images.

High dynamic range photography is a process where you capture multiple images. One for each shadows, highlights and mid tones. You blend them together to make an image with details in both dark and bright areas. It all started when camera sensors were not that strong as they are now a days.

Today’s consumer level DSLRs and even high end point and shoot cameras have very powerful RAW image processors. All you have to do is to adjust highlights and shadows along with blacks and whites and you are good to go. 

Processing single RAW file will give you much better and natural results than blending multiple images. Yes, HDR blending has its own place. It comes handy when there is too much contrast in a single image. But overall HDR images look unnatural and over processed.

Both of the images here are HDR images of a Mosque from a single RAW file. I only used shadows and highlights adjustments to bring details in specific sections. You can see the details in both bright and dark areas.

Grand Mosque Muscat
Grand Mosque Muscat

3. Sticking to rule of thirds at all time.

Almost everybody know the rule of thirds. It’s the first rule that you learn when you start learning composition in photography. Rule of thirds is very scientific in nature and 9 out of 10 times it gives you good results. And that makes it a Cliché.

There is a famous saying that ‘Rules are meant to be broken’. It’s true. Just by deviating away from some industry standard will automatically make you stand out among the crowd. But it has to be done with care. You can avoid the rule of thirds in symmetrical compositions very easily. You can avoid it in minimalistic shots as well.

With practice you will come to know when you will get better results by not following this rule. Whenever you shoot some picture, always experiment with different versions. Rule of thirds is a good starting point for your composition. But since everyone uses it all the time, it’s a bit boring.

Alternatively, you can place your subject in extreme sides or corners and still make an attractive composition by placing some elements on opposite side to balance it.

Both the sample images here doesn’t strictly follow rule of thirds but still they have an interesting balance and composition.

Royal Opera House Muscat
Jebel Akhdar Mountain

4. Following histogram religiously.

Histogram is very powerful tool that lets you decide whether you have a properly exposed picture or not. Understanding histogram is of prime importance. Just by looking at it, you can tell whether you have pure whites or pure blacks in your image, i.e. whether you lose details in highlights and shadows or not.

The problem is, histogram only tells you the range of the brightest and the darkest pixels in your image. It doesn’t know what you want to shoot actually. If you want to shoot low key or high key image, the histogram will show that you are clipping shadows or highlights. In this particular case, I want to shoot a low key silhouette image in Muttrah Souq, Oman. It is ok since I deliberately want to clip both shadows and highlights. It’s your creative decision.

High contrast image with histogram

Histogram is also good when you have an inconsistent LCD screen on your camera. Camera LCDs are normally much brighter than actual image is. Sometimes the image looks properly exposed on screen, but actually it’s a bit underexposed. You have to pull shadows in post later on to balance it and it will introduce some noise.

Checking histogram will tell you this at the time of the shoot. You can adjust your settings in camera, and you don’t have to push it in the post. You must know how to read a histogram. But you should also know when to follow it and when to follow your own creative guts.

5. Using Image Borders

Gone are the days when the only outcome of photography is the wall mounted frame. This age is the age of social media. Yes, wall hanging frames still have their own place. You can’t deny that. But making your image compatible over the internet is important.

People normally add borders because of two reasons. Either their frame corners are not tight enough and they need some sort of borders to keep it under boundary or their subject is not prominent enough.

Try framing your image in a way that it naturally creates a border around your subject. You don’t have to use frames within frame technique all the time. Just try to look around the edges of your frame and place something strategically to guide viewers’ eye.

Here I shot these three guys walking in Nizwa market in Oman in a way that it creates a natural frame around them. Although it only covers left and right side of image.

Nizwa market in Oman

Another technique is to use a vignette in your images either by using dodge and burn technique or simple darken your edges and brighten the subject. In this image, the sky is completely plain, so I added a little vignette to create a border.

Architecture build

6. Using cliché Lens choices.

It is common to shoot Landscapes with wide angle lens, Street photography with 50mm and portraits with an 85mm or 100mm lens. Thousands of images are uploaded over the internet on a daily basis that follows the same exact rule.

Every other shot that follows these clichés looks almost identical. Like the rule of thirds, these lenses will give you great results. The wide angle lens lets you include foreground and background both in focus. Telephoto creates simple background with flattering facial features. But try something different to create a new perspective.

Like I shot this landscape and architecture image with a 50mm lens. It’s a totally different perspective of this place as compared to all other pictures of the same place. You can try portraits with a wide angle and street photography using telephoto lens as well.

The Road
Grand Mosque

Conclusion

It doesn’t mean that you should not use these techniques at all. Using a bit of all of these techniques in moderation is all you need to avoid clichés.

It’s really hard to find the subject that has never been photographed before. Try to look subjects in a different way. Try different angles. Try different lenses and filters. Try different post processing techniques that are not common.

One interesting way is to start a project of photographing the same subject in 15 different ways. It will force you to look at the subject in an entirely different way. That practice will help you in your photography in general.

Again photography clichés are not bad. It’s just that they are way too common and they won’t help in bringing your very own personality in your photography. Now, try to be creative and tell me in the comments section which cliché you find most annoying.

What Is black and white photography and How Does It Work?

Why some pictures look better in black and white as compared to their color counterparts? What few words comes to your mind immediately when you see a black and white photograph? Nostalgia, raw, emotions, etc. ?

I shoot in both color and black and white but there is something peculiar about monochrome. Let’s discuss what is Black and white photography and how it is still relevant today? How it improves your photography in general and when you should avoid it.

1. It’s all about contrast – Painting with LIGHT.

Workers at Mutrah Corniche, Oman

Photography literally means painting with light. When you shoot in black and white, it’s all you have at your disposal. You need a powerful eye to detect proper contrast in your frame to create beautiful images.

Not just contrast, you need to make sure that your subject should stand out in your frame. You need to direct viewers’ eye to your subject. And you have only one thing to play with – CONTRAST.

It really trains your photographic vision because we are used to watch world in front of us in colors. The complementary nature of color creates a contrast in real world. But in black and white photography, you need to create contrast with light and shadows.

TIP : Try to shoot in RAW with black and white creative filter. That way you can see the world in black and white in real-time. You can detect contrast better before clicking it. With a mirror-less camera, you can use this filter even in Electronic Viewfinder (EVF) .

2. Create a better connection with your subject.

The hustle and bustle of Ruwi high street, Oman

One of the advantages of Black and white photography is fewer distractions. In color photography, bright and complementary colors catches viewers attention better. So, if your subject is not bright enough or not in complementary color as compare to background, you are out of luck.

Black and white does your work a bit easier. You just have to concentrate on contrast and not colors. One less thing to worry about. It lets viewers give more attention to subject and its environment. Your message will be much cleaner and easier to understand.

Street photography is better on black and white because of this reason. You don’t have control over your background. So, black and white usually saves your picture. But don’t use this as an excuse to avoid thinking about composition and background. You can check this awesome post The Beginner workflow to street photography for some general tips for shooting street photography.

TIP : Tight Portraits, Street and long exposure work great with black and white. Once you get comfortable with it, try this approach in other niches too.

3. It brings a world unknown to us.

Qantub beach by Imran Zahid-The Shades Photography

As human being, we see the world in color. Black and white is something that we don’t experience normally. If color depicts reality then black and white is your depiction of reality. You can show everyday mundane scenes in a totally new way to your audience.

In Black and white, you can paint the canvas with tones of gray which is completely different in look and feel. Off-course it’s a personal choice but black and white certainly brings a fresh perspective.

TIP: Try landscapes in black and white as very few people have managed to do it correctly. Ansel Adams is one of the best in this business. It will make you stand out among the crowd.

4. It Brings out shapes and textures better.

Portrait of an Old Man at Nathia Gali, Pakistan

Texture and shapes are the second option that you can use to spice up your compositions. The viewers will pay much more attention to these aspect as no color information is there to process.

Subjects that have a strong sense of shapes, lines and curves end up much better in black and white than color. Same goes with texture as well. It evokes the viewer’s tactile sense. Black and white works perfect to add character and atmosphere to you images.

TIP: Old people portraits and multi-layer compositions are the ideal candidates. Black and white will add an extra punch to these type of photographs.

5. It’s much more challenging.

Contemplation at Qantab beach, Oman

Apart from all the above advantages, black and white photography is much more challenging. Just by practicing these tips, you can learn a ton of lessons about composition, contrast and lighting. Choosing a suitable subject for black and white photography is extremely difficult. But with practice you will overcome this thing.

You have limited options to manipulate so you have to come up with intelligent work around to solve the problem at hand. With all these difficulties and limitations, it brings much more joy than snapping an easy picture. Learn more about this on The Power of Black and White Photography.

When you should not use black and white.

We agree that black and white photography is beautiful. still we see a lot of crappy black and white conversions over the internet. That’s because people are converting their images without considering all these aspects. Converting images to black and white will not automatically make you look artistic.

Below are few points that you need to consider before converting your pictures to monochrome.

1. Don’t use black and white to save your already badly composed images. This goes true with noise too. If your image has a lot of noise, converting it to black and white won’t save it. Noise is not bad. Embrace it. But don’t save your noisy images with conversion.

2. Don’t convert your images that add more meaning in color than black and white. Portrait of an old man doesn’t have to be always in black and white. If color adds something to story, go with color instead of black and white.

3. Don’t use black and white as a style statement. People think that shooting in black and white make them fine art photographer. Only shoot in black and white if it really required.

So now that you know enough of black and white photography, what you are waiting for? Go and shoot it 🙂

The Power of Black and White photography

I love black and white (  monochrome ) photography a lot. I can’t help it. Whenever I start post processing any of my photograph I always first try to convert it to black and white and see if it looks good or not. I was wondering lately, why I like some pictures more in black and white than in color. This question is very important because it gives the answer for which type of photographs we should convert to black and white and why. So I came up with some of the reasoning that I hope you will find useful and insightful. Feel free to play around with these ideas.

1. It reduces distraction.

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The Aim by Imran Zahid.You see how it reduces the distraction of different color clothes of all these people and help you focus of the subject.

Ever wonder why most of the street photography is in black and white? Because in street photography we have very less control on environment. You can’t control the annoying and distracting bill boards and ads all around street. You can’t control the colorful cars and other stuff that grabs all the attention instead of your subject. Yes you can control these things by changing your viewpoint and angle and all that but still most of the time you don’t have that much time and you want to grab the moment quickly. So it helps in saving some of your shots that otherwise don’t work in color. But don’t make it an excuse to not think before shoot in street photography.

2. It helps you emphasize more on story than visual

IMG_0670
Contemplation by Imran Zahid.

In black and white photograph, visual candy is not there so viewer can concentrate more on the story and emotion behind the photograph rather than aesthetics. This where composition became so much important because it’s the only way to tell viewers about the main subject and story.

3. It brings a world unknown to us

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Down the memory lane by Imran Zahid

IMG_7841 - Copy-3
The Journey by Imran Zahid

We as human beings are bound to see things in colors by default. Black and white brings a whole new world in front of us that we are unaware of. It makes it more uncertain and exciting for us to see things in entirely different way. It brings that antique and classic look into the pictures which make them timeless and precious. That’s how our mind works when we see any black and white photograph.

So these are the main reasons why we like black and white photographs. The photographs that tell story bound to have these characteristics and are best suited for monochrome treatment. Now here is the list of techniques that you can employ to create really stunning black and white photographs

1. Composition

palace (2)
The Road by Imran Zahid

Composition is everything in any type of photography and in black and white, it is literally everything because you don’t have colors to complement it. All you have is composition. Through proper composition you can direct the viewer to observe certain parts as subject and remaining as background. Placing a subject to the strongest part in frame and arranging other elements is really important and it makes or breaks any image. Rules of composition like rule of thirds, leading lines and negative space are the key to black and white photograph.

2. Contrast

tea_making
Tea making by Imran Zahid

Black and white photography is all about contrast. The more the better. A lot of shades of grey will not make a dramatic black and white photo. Drama starts where there is more contrast, more blown out and darker areas. These imperfections are actually the one that creates emotions in black and white photography. Always look for contrast in a photo. One tip regarding exposure. Expose for lighter areas as you can recover details in darker areas more easily in RAW files as compare to recovering highlights. Another tip is to shoot in RAW format and set built in black and white option. That way you can see the result immediately and even if you want color RAW file always contains color information. One final tip regarding conversion to B&W is to use separate color sliders after conversion to adjust certain parts of image like blue color to adjust sky. Also you can use luminescence sliders to adjust areas by their brightness.

3. Convey an emotion or story

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Wisdom by Imran Zahid

Since a black and white photograph doesn’t have colors so you cannot just purely depend on visuals. You need to convey some story or some emotion else your photograph will fall flat. It doesn’t have to be a photo journalistic in nature. A simple smile or some interesting character in its surrounding is more than enough but make sure it conveys enough details.

4. Look for strong shapes and texture

TheCave
The Cave by Imran Zahid

Strong shapes and lines and curves always makes a photo more interesting. In black and white it is much more prominent as these strong lines and curves actually defines edges and separates one object from another. So try to integrate some strong lines and shapes for better definition and detail. Texture is also more observable in black and white photograph than in color.

5. Look for some interesting light

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Walking Shadows by Imran Zahid

Try to look for dramatic/directional lighting source in your photograph. Directional light defines edges more clearly and hence bring details and definition in your objects. It can bring contrast in your photograph. Also dodging and burning is one classic technique that a lot of black and white photographers use to highlight the areas in image that they want their viewers to concentrate more on.

So here it is . Everything I know and discovered about black and white photography over the time. If you didn’t tried it. Do it. Its worth it. Its a bit difficult in some respects but its timeless.Its creative and worth giving a shot. Feel free tp pitch your ideas in comments sections.

 

A beginer workflow to STREET Photography

Street photography is one of the most feared and uncertain type of photography in which almost nothing is in your control and almost everything is based on luck. A lot of new photographers who like street photography because it’s classy/candid look and feel are very nervous because it demands too much time and luck.

Also the success rate of these types of shots is also very low as you get a lot of crappy shots when you come back home and try to edit them. A lot of factors are there that can go wrong very easily like improper focus, background distractions, photo bombing etc not to mention a lot of time you need to face people’s anger and sometime security issues. But guess what? That is the reason that makes street photography so much satisfying and fulfilling because after so much frustration when you get proper shot it worth a lot. You can easily compete with any professional photographer if you have a decisive street photography shot.

Like any field, if you carefully analyze the problems, you can come up with some workflow that will produce maximum results with very low chances of getting things wrong. I am by no means a pro street photographer but over the time I have come up with a workflow that works for me most of the time.

Look for interesting faces / Emotions.

This is by far the easiest step in getting interesting photos. Look for older people or children. Their faces are very expressive. Also people with unique clothes and emotional state make your photos pop because of their unusual settings.

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Look for related or contrasting background and foreground interest.

Street photography is all about complete environment. You should try to guide viewers from subject to background. And to do it seamlessly your background should be related. Highlight your subject but try to put some meaningful and unobtrusive background as well. Don’t try to completely remove it or use too simple background, as it kills the purpose of street photography. Also sometimes a very contrasting background makes a strong visual statement as well. Play carefully within limits.

Look for some truly beautiful geometric composition.

This is where street photography gets visually very interesting. But it’s also very difficult and if you nailed down this aspect you will get a master piece. Composition is always the key.

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Look for some tried and tested conditions.

Look for some unique shadows or nice reflections on glass or stagnant water on streets. Contrasting lighting conditions both during day and night is also very dramatic. Symmetry and repetition is also very pleasing to eyes.

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Shoot in both Color and black and white

Its very tempting to always shoot in black and white because it looks classic and it suppresses a lot of background distractions. But a part of these two reasons, try to learn other aspects of B&W also like shadows, textures and contrast. B&W tends to look a little more sharp as well. But color has its advantages too. Sometimes a photo with color is more interesting than B&W as its more natural cause we used to see in colors.

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Always wait for the DECISIVE MOMENT.

This is by far the most important point of street photography and the whole topic revolves around it and that is why I make it a separate heading and not a pointer .Before clicking just think is it the right time to take it. How it will work if I wait a little longer or If I click a little earlier. If it makes a difference, do it accordingly. This is the point that actually creates a story.

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Below are some of the side thoughts that you should keep in mind and that will come handy all the time.

1.       Be courteous to your subjects at all times. Don’t try to exploit them. If they don’t want to be photographed, leave them alone. You will get a million other opportunities. Be ready to say sorry and smile and never confront with local people.

2.       Make yourself familiar with that place. A little planning will never hurt. Try to come to same place again sometime. You will be already familiarized with locations and its settings. That will help you to plan your shot in advance.

3.       Talk to people after you photographed them. Give them your business card. Ask them if they want these photos and send them later through email as a courtesy. Make them friends. It will be much more fun and less daunting.

Conclusion

Don’t expect that every time you go out for street photography, you will get some master pieces. It’s very difficult, so be patient and try to enjoy the whole process of getting shots and not just the final shots. Try to improvise as you learn. These are just few pointers that I compiled because they worked for me. Try to come up with your own tips and tricks. I am working in Middle East where people are generally not very friendly and they are suspicious of camera as well. But if you have a nice friendly smile on your face and you are not intruding their personal space aggressively than its very a enjoyable process and not to mention that final result is much more satisfying.

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