Guys this post is already published on Contrastly Magazine.. Please read it here…
https://contrastly.com/how-a-single-camera-and-lens-setup-can-improve-your-photography/
my world Through the lens….
Guys this post is already published on Contrastly Magazine.. Please read it here…
https://contrastly.com/how-a-single-camera-and-lens-setup-can-improve-your-photography/
Guys this post is already published on Contrastly Magazine.. Please read it here…
https://contrastly.com/how-creative-constraints-can-improve-your-photos/
Guys, this post is published at photodoto.com. Please find it here…
Guys, this post is already published on ExpertPhotography.com. So, do read it here
It’s already published on Contrastly.com on 30 May 2016. Do read it here
https://contrastly.com/10-street-photography-project-ideas-to-get-you-going/
This post is also published on PictureCorrect.com. You can find it here.
Whether you accept it or not, we all love MACRO photographs. I mean, who doesn’t like an intensely detailed bug or a flower on a silky creamy background? The first thing that we do after getting our hands on DSLR for the first time is to go to our backyard and start taking flower pictures. But in reality , MACRO photography is much more difficult as it seems to be. I do normally landscape and street photography but recently I decided to give a try to MACRO and found it to be much more challenging technically as compared to any other type of photography.
I just started it, so I am not an authority on it. But I just learned some stuff about it so I decided to write a blog post on it to keep everything in order so that I can start improving on top of it.
Like every picture, a macro has its aesthetic as well as technical aspects so first start with its aesthetic qualities because it’s easier to learn and it doesn’t require any extra gear/add-on.

The Allium by Imran Zahid
Macro is all about one and only subject. Unlike landscape or street or any other type of photography, it doesn’t and shouldn’t have any layers or multiple points of interests. The image should be damn flat with all the attention leading towards the subject with minimum connection with background. When I am saying minimum connection I mean aesthetically background should not grab attention of viewers. It should be very simple. We can achieve this by either blurring it or using high contrast compositions which is what we call figure to ground relationship.

The ultimate goal of a macro shot is to show the unique and fantasy world that normally we cannot see with our naked eye. So choose your subjects wisely. Don’t select subjects that we used to observe normally in detail. Choose subjects and their angles that we are unaware of. Try to show the absolute level of detail that even if we look closely with our naked eye , we can’t. That’s where the MACRO photos actually shine. That’s why a lot of people are going towards insects and bugs as we don’t normally observe them so closely. As the saying goes , the devil is in the details. So , get extremely close to your subject and try to bring a completely new world to your viewers.

Just because there are minimal components in MACRO photograph, doesn’t make it less worthy for putting effort in composition. In fact, composition is extremely vital for the success of macro photos. Composition rules like golden ratio, rule of thirds, diagonals and leading lines were never so important before MACRO photography. It’s very important to create dynamic and fluent compositions or else chances are that even with immense amount of captured details, the photograph will still fall flat on its face. So utilize all those composition rules on macro to make it more interesting and eye catchy.
With all its simplicity, MACRO photography is not at all simple when it comes to technical aspects. Below are some of the technicalities you need to keep in mind while doing MACRO.

Normally when we do portraits or stock or street photography, we are doing everything in our power to create creamy bokeh and shallow depth of field. But when it comes to MACRO it’s the other way around. We are doing everything to get a few extra millimeters in focus so that we can capture details properly. Because we are focusing very closely (normally only a few inches) , depth of field is literally in millimeters. Now you can do a couple of things . You can go back a little , loose some details but get more focus or increase aperture. Both approaches have their own pros and cons. You can only increase aperture to a limit where diffraction don’t happen otherwise entire picture will be soft. Even if you increase aperture within limits, since it changes exposure, you need to either slow down shutter speed or increase ISO.YES, welcome to Hell of MACRO world. So it’s a whole trial and error procedure to see what’s acceptable for you in given condition.

As mentioned above , you need to increase your aperture to your maximum limit if you want your tiny subject to be completely in focus. But with this approach , your exposure will be down by miles. Now in order to get proper exposure , you can do a few things.
Best solution is a combination of all. Now a day camera ISO performance is pretty good , so you can go with this option safely. Flash with some modifiers are also cheap. Even popup flashes will work. I do all MACRO work with popup flash. It can produce decent results. Shutter speed cannot be changed in most of the situations but whenever its possible go for it too.

Even after all these remedies, still you picture will have a lot of noise especially if you are using crop censor bodies like me. And since MACRO pictures are normally simple in composition with very plan/creamy backgrounds , the noise is very much visible. So, you might not came across this noise issue until now in other types of photography but you need to seriously know how to reduce noise in you photos now. Noise reduction and sharpening go side by side and I can point you to some of very good tutorials on it that really helped me overcome this.
How to do Noise Reduction in Lightroom
How to Properly Sharpen Images in Lightroom
The whole point of this section is not to De-motivate you but to actually prepare you to handle all these issues. They are not as big as it seems. But if you really like your photographs to be what you saw on internet , you need to work around these issues.
Macro photography is really fun. Even on those days where you feel dull and you don’t want to go outside for landscapes, street or any other type of photography. You can do macro in your backyard or even in your room. Its really fun. Its demanding but at the same time very rewarding as well. If budget is not your problem you can certainly go for following gear to help you in your tasks.
Even if you are on a budget, don’t let this hamper your spirit. You can do everything without all fancy gear. You just need to be patient and know have to how to work around these issues. The WORD here is persistence. Stick to your goal and you will eventually able to do it. You don’t even need a dedicated MACRO lens for it. If you are on a budget You can go on following route
That’s it. Happy hunting
If your photograph engages a viewer more than 5 seconds, it means it has something for the viewer to look into. If we keep aside the story part and strictly look into the aesthetic aspects of a photograph, what composition rule or principle actually responsible for all that viewer’s attention? It is Depth or Perspective in a photograph.
As we all know, a photograph is a two dimensional plane and normally it doesn’t fully recreates the actual emotions of what we saw at that time ( and it never will. That’s why we should enjoy the process of taking photographs whether we get a shot or not). If anything that can help viewer to feel a little bit of reality in a photograph, then it is DEPTH. It is the THIRD dimension of a photograph and one of the key composition rule in photography.
What Depth really offers to the viewer is an artist’s preferred way to look into the picture. The user starts from foreground, moves towards the subject and then the rest of the information is filled in by the background. The only thing that is important is actually the relation of all these elements to fill in all the missing parts.
I actually didn’t notice that much about depth before I decided to write a post on it. I was merely using it for the aesthetic aspect of my photographs. But when I actually start thinking in more detail, I started to embrace its value even more. It prepares a ground for every picture and convince the viewer that this picture is a piece of artwork and not just another snap. It separates a good luck artist from a photographer that is consistently producing good pictures.
I am a landscape lover and I do agree that a lot of the time I get good photographs by chance 🙂 and instead of taking consistently good pictures by doing my homework, I am used to increase my chances by taking MORE pictures. That’s how I used to cheat my luck because it gives me the same net results. But this approach actually hurts you when you try to go PRO because you can’t come again and again to same location and try your luck when you do professional work. That’s why people willing to hire professionals because they give them sure results the first time they get a chance.
So if you want to be a PRO then start taking it more seriously and try to conceptualize the photograph before lifting your camera to your eye. Check whether you got enough DEPTH in your photograph that can engage viewers and if not, move towards some different angle or location until you find a decent spot to convey a reasonable DEPTH.
SO now I am going to show you some of my images that in my opinion have decent depth aspect. Keep in mind that I am not a PRO and I am still working on my stills.

It starts with a boat (foreground) moving through the restrooms / parking (middle ground), all the way to the distant trees mountains and beautiful clouds (Background). All these things are related and complement each other. They depict the typical setting of a beach-side resort. The shoreline here is connecting all these levels together making it one complete picture.

Here the road is leading towards the main subject i.e. Sunrise (Background) but instead of just a plain sunrise it leads towards it through a person standing (foreground) and town houses (middle ground). So it conveys enough details for viewer to observe. The on-going street light gives a sense of distance between all these levels.

This is sidaab street in Oman that leads to the Royal Palace. The main subject of this picture is actually the road and the journey (middle ground) but to create enough interest I put a car tire (foreground) and mountains and clouds (background). The street lights provides a sense of distance among foreground/middle ground and background.

I guess by now you know that I am obsessed with roads and I accept that I love roads and I found them to be a very attractive subject when it comes to depth and perspective. Here off-course that car with a smiley spare wheel is the subject (middle ground) along with the road in front (foreground) leads towards the subject and all the way to the mountains (background).
OK, enough of landscapes and roads. Now I am going to show you some examples from street/people photography too.

Here there are no leading lines but from the proportion it is clear that fisherman on left is our subject(foreground) which is complemented by the boats (middle ground) and it goes towards the sea where he used to do fishing. All levels are perfectly related and gel together.

The people here are either fishermen who came from fishing trips or the buyers who wants fish. The composition is simple. It starts with harbor (foreground) towards subject( which are fishermen in middle ground) all the way to water and their ships (background). No need to explain further.
I hope I made my point pretty clear now that when I am talking about DEPTH or perspective in a photograph, I am referring to all these levels (fore/middle/background) and their relationship with the entire picture. That makes a photograph complete and it makes people believe what they are witnessing. It makes it more interesting and entices them to look into each and every detail of a photograph.
You have some good examples of depth in a photograph? Do share with me 🙂
Note: For customized photography tour in Oman, please check out my post ‘Photography tour in Oman‘
If you just moved to Oman or planning to move here and you are addicted to photography as well then chances are that you are looking for places where you could satisfy your appetite for photography.
The good news is, Oman is an ideal place for photographers. Whether you are interested in Landscapes, street, culture or portraits. You will find ample amount of photographic opportunities in here. The locals here are quite friendly and you will not find any difficulty while interacting with them provided you respect their traditions and cultural values. You don’t have to worry about any Law and order insecurities as well.
I have been working here for quite some time but I started photography a little more than a year ago. During my time here I happen to visit quite a few places and I do visit them regularly to keep my photo stream up and running. For long time ,I have been thinking about making a list of places that are good for photography tours. After a lot of brainstorming I decided to categorize my list according to type of photography and write City names against it. That list will guide anyone who is new to Oman to plan their trip in advance. Off course if you have a good eye you can get any type of images anywhere but this list is just a quick start guide for photographers who are new to Oman.It is a work in progress and I hope a lot of my friends in Oman could correct me and guide me to make this list even better and more useful.
Oman has some of the most stunning and breathtaking beaches in the world with its coastline stretches to more than 3000 km.They are known for their purity of sand,scenic nature and sturdy surrounding rocks.If you are into seascapes, there is no better place than Oman for you 🙂 I am listing just a few well-known beaches here.
After seasides and beaches , if there is one thing that definitely draws your attention are the beautiful Wadis (valleys) and majestic mountains in Oman. You will find these almost everywhere in Oman. Some of them are totally developed into tourist attractions while others remain quite untouched in their natural state.
Oman has given special attention to preserve its ancient and traditional values when it comes to preserving its architecture. You will observe this vary principle while visiting various mosques , forts and markets. Along with its oriental nature , you will notice that they are against high rise buildings and that is one interesting thing that sets Omani architecture apart from other Gulf states and creates its own charm.
Being Traditionalist in practice, Oman is rich in culture and heritage. It has a number of sites listed in UNESCO world Cultural and heritage sites including some of the oldest souqs (markets) which includes.
So up till now we have been looking for natural beauty in beaches , mountains, wadis and all that architecture and cultural heritage .But if you are that exotic type of person who likes to get comfortable in big resorts, Oman has a lot to offer.Below are some of the best resorts in Oman.
No middle eastern country is completed without its Deserts and Oman has its fair share of Deserts too.You will find some of the exotic desert safari locations in these sand driven areas.Some of the major deserts are.
I am thankful to following photographers at (Friday Shoot Out) FSO Muscat whose images I have used here along with mine with permission.
Krishnakumar Omanakuttan – krishnakumar photography
Prakash Wadhwani – Prakash’s Stolen Moments
Nilesh Potdar
Sunil S Rao – Prismphotos
Baiju Jose
Shiekh Mohammad Haris – SMH Photography
Benito Hermis – 500px
Guru Acharya – Guru Acharya Photography
Uwe Richter
Henz B Solih
I love silhouettes as much as I love shooting in black and white. They are unorthodox. They don’t have much definition but they contain much more drama. Whats actually amazing about silhouettes is that rather than major attention on subject , the actual center of attraction is background.This makes it more interesting and different. It definitely adds more shapes and form to your photograph. They convey a message in an artistic manner and let the viewers’ imagination to fill up the details and complete the story. Its a classic text book example of LESS IS MORE.
So, if you like silhouettes and you want to capture them with their full potential. Below are some pointers that you should keep in mind while doing silhouette photography.
1. Look for high contrast (obviously)

Yes it is pretty obvious but it is very important and that is why I started with this point. A lot f people are actually selecting a wrong subject against wrong backdrop. The low contrast situations are good for portraits and may be for landscapes too but its a big NO in silhouettes. So first of all start with a high contrast situation.
2. Choose an interesting background

Remember visually silhouettes are more of a background than foreground.Background is roughly the 80% of a silhouette photograph.So pay close attention to your background.If it is not interesting enough than you couldn’t able to make a strong photograph. Sunsets and sunrises are so much popular as silhouette backgrounds because they have very dramatic background which makes photograph visually appealing.Your subject doesn’t have details so its the background that has to fill this void visually. Select backgrounds that are strong in color and texture to make an impact.
3. Look for familiar shapes for silhouette

Shape familiarity is the key. Silhouettes are definition-less.They only have shape and that’s it.Look for subjects in silhouettes that everyone is aware of of and just by looking at it anyone can know what it is. If a viewer has took close enough to recognize it , the photograph will fall flat.Internet is filled with silhouette photography having people,animals and trees as silhouettes for the vary same reason. Your subject should have a very definitive shape with string outlines.Don’t depend on the intelligence of viewers.Make it as obvious as you can.
4. Use negative space to your advantage

There is so much I want to emphasize about negative space.Refer my post Photography Composition Essentials: Negative Space . Negative space is actually a breathing space in your photograph. It is a place where viewer’s eyes can rest after observing other details in photograph. It will actually calm down your eyes and ease your mind. It brings a sense of serenity to image. Use it to your advantage.The smaller the silhouette in your photograph the better. But place it on the strongest position where it can make maximum impact.
5. Experiment a lot

Don’t just limit yourself to sunrises and sunsets.Yes they are interesting and they have beautiful colors in it but there are lot more opportunities to do silhouettes. Just look for it. For example, the above Cave picture is simply shot in heavy fog. You can experiment with fog,rain,a lot of smoke and practically anything that reduces definition from your subjects. Introduce a little reflection or shadows and it will spice it up the whole photograph. Break the cliches. Try to come up with your own ideas and remember : RULES are meant to be broken.

Amazing resources on internet
Up-til now I only presented you with my photographs.The internet is filled with amazing silhouette photography.You can find some of the finest examples on this subject .So , apart from my own photographs ,I am giving away some of the reference of stunning silhouette collections you can look into for your inspiration.Do submit your own silhouette images and i will add them here in specific examples.
I love black and white ( monochrome ) photography a lot. I can’t help it. Whenever I start post processing any of my photograph I always first try to convert it to black and white and see if it looks good or not. I was wondering lately, why I like some pictures more in black and white than in color. This question is very important because it gives the answer for which type of photographs we should convert to black and white and why. So I came up with some of the reasoning that I hope you will find useful and insightful. Feel free to play around with these ideas.

Ever wonder why most of the street photography is in black and white? Because in street photography we have very less control on environment. You can’t control the annoying and distracting bill boards and ads all around street. You can’t control the colorful cars and other stuff that grabs all the attention instead of your subject. Yes you can control these things by changing your viewpoint and angle and all that but still most of the time you don’t have that much time and you want to grab the moment quickly. So it helps in saving some of your shots that otherwise don’t work in color. But don’t make it an excuse to not think before shoot in street photography.

In black and white photograph, visual candy is not there so viewer can concentrate more on the story and emotion behind the photograph rather than aesthetics. This where composition became so much important because it’s the only way to tell viewers about the main subject and story.


We as human beings are bound to see things in colors by default. Black and white brings a whole new world in front of us that we are unaware of. It makes it more uncertain and exciting for us to see things in entirely different way. It brings that antique and classic look into the pictures which make them timeless and precious. That’s how our mind works when we see any black and white photograph.
So these are the main reasons why we like black and white photographs. The photographs that tell story bound to have these characteristics and are best suited for monochrome treatment. Now here is the list of techniques that you can employ to create really stunning black and white photographs

Composition is everything in any type of photography and in black and white, it is literally everything because you don’t have colors to complement it. All you have is composition. Through proper composition you can direct the viewer to observe certain parts as subject and remaining as background. Placing a subject to the strongest part in frame and arranging other elements is really important and it makes or breaks any image. Rules of composition like rule of thirds, leading lines and negative space are the key to black and white photograph.

Black and white photography is all about contrast. The more the better. A lot of shades of grey will not make a dramatic black and white photo. Drama starts where there is more contrast, more blown out and darker areas. These imperfections are actually the one that creates emotions in black and white photography. Always look for contrast in a photo. One tip regarding exposure. Expose for lighter areas as you can recover details in darker areas more easily in RAW files as compare to recovering highlights. Another tip is to shoot in RAW format and set built in black and white option. That way you can see the result immediately and even if you want color RAW file always contains color information. One final tip regarding conversion to B&W is to use separate color sliders after conversion to adjust certain parts of image like blue color to adjust sky. Also you can use luminescence sliders to adjust areas by their brightness.

Since a black and white photograph doesn’t have colors so you cannot just purely depend on visuals. You need to convey some story or some emotion else your photograph will fall flat. It doesn’t have to be a photo journalistic in nature. A simple smile or some interesting character in its surrounding is more than enough but make sure it conveys enough details.

Strong shapes and lines and curves always makes a photo more interesting. In black and white it is much more prominent as these strong lines and curves actually defines edges and separates one object from another. So try to integrate some strong lines and shapes for better definition and detail. Texture is also more observable in black and white photograph than in color.

Try to look for dramatic/directional lighting source in your photograph. Directional light defines edges more clearly and hence bring details and definition in your objects. It can bring contrast in your photograph. Also dodging and burning is one classic technique that a lot of black and white photographers use to highlight the areas in image that they want their viewers to concentrate more on.
So here it is . Everything I know and discovered about black and white photography over the time. If you didn’t tried it. Do it. Its worth it. Its a bit difficult in some respects but its timeless.Its creative and worth giving a shot. Feel free tp pitch your ideas in comments sections.
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