It’s time to break following 6 Cliches in your photography

Photography is an art form. And ART is subjective in nature. It is difficult to define what is cliche and what is not. But, there are certain types of photographs that are too common over the internet and normally they are considered as a cliche.

Cliches are called cliches for a reason. They all started as a normal thing. Normally they are very good ideas and that’s why they became so popular in the first place. But at some point their overuse by people make them a cliche.

With the ever growing market of cheap consumer level DSLRs and PRO phone cameras, Everybody is now a photographer. If you are somewhat serious about the art of photography, you need to stop doing following photography cliches and start bringing your own creative touch in your photography.

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1. Always using Black and White for Street Photography.

We all at some point or another, tried our hands at street photography. It looks artistic and classy. But why everyone is converting their street photographs to black and white?

Most of the famous street photographers had their work in black and white because they belong to black and white film era. At that time, either color cameras were not present or too expensive. So, their work is mostly in black and white. Most of the iconic street photographs are black and white.

Now that we have powerful DSLRs, there is no need to go for that look. Only go for black and white if it makes sense. Lets suppose, you want to get rid of uncontrolled distraction (different colors of cars and sign boards that don’t go with your color theme) or you want to emphasis on light and shadows.

The first image here is of a Porter on Karachi Railway station. Black and white won’t work here as people will not able to distinguish his specific Green,yellow and red uniform.

Porter on Karachi Railway Station

This second image is of a butcher in Muscat city. This whole image is pretty much teal in color and converting it to black and white will render an image with very less contrast.

Black and white is a creative choice. Don’t blindly use it because most famous street photographs are in black and white . Understand its PROs and CONs and do it creatively.

Butcher in Muscat

2. Punchy High Dynamic Range (HDR) images.

High dynamic range photography is a process where you capture multiple images. One for each shadows, highlights and mid tones. You blend them together to make an image with details in both dark and bright areas. It all started when camera sensors were not that strong as they are now a days.

Today’s consumer level DSLRs and even high end point and shoot cameras have very powerful RAW image processors. All you have to do is to adjust highlights and shadows along with blacks and whites and you are good to go. 

Processing single RAW file will give you much better and natural results than blending multiple images. Yes, HDR blending has its own place. It comes handy when there is too much contrast in a single image. But overall HDR images look unnatural and over processed.

Both of the images here are HDR images of a Mosque from a single RAW file. I only used shadows and highlights adjustments to bring details in specific sections. You can see the details in both bright and dark areas.

Grand Mosque Muscat
Grand Mosque Muscat

3. Sticking to rule of thirds at all time.

Almost everybody know the rule of thirds. It’s the first rule that you learn when you start learning composition in photography. Rule of thirds is very scientific in nature and 9 out of 10 times it gives you good results. And that makes it a Cliché.

There is a famous saying that ‘Rules are meant to be broken’. It’s true. Just by deviating away from some industry standard will automatically make you stand out among the crowd. But it has to be done with care. You can avoid the rule of thirds in symmetrical compositions very easily. You can avoid it in minimalistic shots as well.

With practice you will come to know when you will get better results by not following this rule. Whenever you shoot some picture, always experiment with different versions. Rule of thirds is a good starting point for your composition. But since everyone uses it all the time, it’s a bit boring.

Alternatively, you can place your subject in extreme sides or corners and still make an attractive composition by placing some elements on opposite side to balance it.

Both the sample images here doesn’t strictly follow rule of thirds but still they have an interesting balance and composition.

Royal Opera House Muscat
Jebel Akhdar Mountain

4. Following histogram religiously.

Histogram is very powerful tool that lets you decide whether you have a properly exposed picture or not. Understanding histogram is of prime importance. Just by looking at it, you can tell whether you have pure whites or pure blacks in your image, i.e. whether you lose details in highlights and shadows or not.

The problem is, histogram only tells you the range of the brightest and the darkest pixels in your image. It doesn’t know what you want to shoot actually. If you want to shoot low key or high key image, the histogram will show that you are clipping shadows or highlights. In this particular case, I want to shoot a low key silhouette image in Muttrah Souq, Oman. It is ok since I deliberately want to clip both shadows and highlights. It’s your creative decision.

High contrast image with histogram

Histogram is also good when you have an inconsistent LCD screen on your camera. Camera LCDs are normally much brighter than actual image is. Sometimes the image looks properly exposed on screen, but actually it’s a bit underexposed. You have to pull shadows in post later on to balance it and it will introduce some noise.

Checking histogram will tell you this at the time of the shoot. You can adjust your settings in camera, and you don’t have to push it in the post. You must know how to read a histogram. But you should also know when to follow it and when to follow your own creative guts.

5. Using Image Borders

Gone are the days when the only outcome of photography is the wall mounted frame. This age is the age of social media. Yes, wall hanging frames still have their own place. You can’t deny that. But making your image compatible over the internet is important.

People normally add borders because of two reasons. Either their frame corners are not tight enough and they need some sort of borders to keep it under boundary or their subject is not prominent enough.

Try framing your image in a way that it naturally creates a border around your subject. You don’t have to use frames within frame technique all the time. Just try to look around the edges of your frame and place something strategically to guide viewers’ eye.

Here I shot these three guys walking in Nizwa market in Oman in a way that it creates a natural frame around them. Although it only covers left and right side of image.

Nizwa market in Oman

Another technique is to use a vignette in your images either by using dodge and burn technique or simple darken your edges and brighten the subject. In this image, the sky is completely plain, so I added a little vignette to create a border.

Architecture build

6. Using cliché Lens choices.

It is common to shoot Landscapes with wide angle lens, Street photography with 50mm and portraits with an 85mm or 100mm lens. Thousands of images are uploaded over the internet on a daily basis that follows the same exact rule.

Every other shot that follows these clichés looks almost identical. Like the rule of thirds, these lenses will give you great results. The wide angle lens lets you include foreground and background both in focus. Telephoto creates simple background with flattering facial features. But try something different to create a new perspective.

Like I shot this landscape and architecture image with a 50mm lens. It’s a totally different perspective of this place as compared to all other pictures of the same place. You can try portraits with a wide angle and street photography using telephoto lens as well.

The Road
Grand Mosque

Conclusion

It doesn’t mean that you should not use these techniques at all. Using a bit of all of these techniques in moderation is all you need to avoid clichés.

It’s really hard to find the subject that has never been photographed before. Try to look subjects in a different way. Try different angles. Try different lenses and filters. Try different post processing techniques that are not common.

One interesting way is to start a project of photographing the same subject in 15 different ways. It will force you to look at the subject in an entirely different way. That practice will help you in your photography in general.

Again photography clichés are not bad. It’s just that they are way too common and they won’t help in bringing your very own personality in your photography. Now, try to be creative and tell me in the comments section which cliché you find most annoying.

Is smart phone good enough to replace your camera?

This is probably the most searched phrase on Google. The short answer is, YES for 50% of occasions. DSLRs and mirror-less cameras have their own market and they can’t be replaced anytime soon. But smart phones already replaced compact cameras for quite some time. Now it’s their bigger brothers ( DSLR and mirror-less ) that are in danger.
IMG_9116
Smart phone cameras are getting powerful and intuitive day by day. They might not be good for all kind of occasions. Tight head-shots, bokeh portraits and fast moving subjects for example. But for the rest, they are damn good.
Let’s find out what are the strengths and weaknesses of smart phone photography.

What smart phone cameras are good at.

Medium to Medium-wide angle shots.

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Normally as you increase focal length, the size/length of the lens also increases. This prohibits the mobile phone cameras to use focal lengths longer than wide-angle. The larger the sensor, bigger the lens has to be.
So, mobile cameras uses smaller sensors along with wider focal lengths to keep and lens shorter and pocket-able. These days phones like iPhone X, Samsung S series, Huawei P Series and other brands producing phones with dual lenses. One for wide and one for portraiture.
These phones do help you in achieving selective focus but overall wide and medium shots are the strong areas of mobile phone cameras and if you stick to that range, you can get better shots with these.

Candid Photography.

Processed with VSCO with c1 preset
Processed with VSCO with c1 preset

Candid photography is one of the best areas of mobile photography. Being a street photographer for quite sometime. I know its importance. People usually get uncomfortable in front of a big camera.
They think that there pictures could be on some serious platforms like news papers or television. If you are shooting some candid moment on mobile phone, nobody will bother you. Even you can get some good environmental portraits with your phones with permission.

Natural light Photography

airport

Because of the smaller sensor, mobile phone cameras are not usually very good at high ISO. Indoor light is something that requires their sensors to push ISO and result in pictures with noise.
If you want to really get the maximum juice from camera sensor, try natural light. Go outdoors in shade or find a nice window light. Use cheap mobile lens attachments that give you extra wide-angle to take some good landscapes.
Natural light is easy on sensor because of its light temperature. It will give you clean and noiseless results with your mobile phone camera.

HD quality Videos

Mobile phones normally have a very good perceived quality when it comes to video options. For stills, people can pixel peep but for video there are other things like camera movement, editing and story that far more important than resolution and noise.
iPhone 6 produces beautiful videos at 1080p at 30 and 60 fps. It can even record slow motion in 720p at 240 fps. Use that to your advantage. Record videos where you can’t take your camera easily. Edit them on-phone and create beautiful short and meaningful movies.

Panoramas, Time-lapse and Hyper-Lapses

IMG_2149

These are the things that take a lot of effort if you are doing it with DSLRs. Mobile phones comes with built-in apps that you can use to produce all the fun stuff.
Yes the quality will not be close to Professional camera but who cares? Why you are missing all the fun stuff if you are not selling this tuff to professional agencies.
Again technical quality is not everything. There are other creative things involved in this art form. At least practice those using your phones to get a hang of it.

Sharing

instagram-grid

Probably the strongest side of mobile phone cameras is sharing. With a single tap, you can share your creative stuff to whole world using any social media platform.
Stats shows that 85% of the people are using social media apps on phones and not of laptops. So quality really don’t matter on a 5-inch phone or an 8-inch tablet.
Don’t get yourself stuck with picture quality syndrome. Shoot vigorously and share frequently. You will get immediate feedback that will help you to stay in proper direction.

Where smart phone cameras sucks.

OK then. Enough bragging about the positives of mobile phone cameras. Now let’s look into where they actually suck. P.S. They don’t actually suck. It’s how they are designed.

Low Light.

FullSizeRender

Because of the smaller sensor size, their ISO quality is very limited. The moment light goes below average, phone cameras starts to pour a lot of noise in picture. You can’t help it. If you are in a controlled environment, try to sue external lights. Or find any other source of light like windows etc.
Simply put, phone cameras are bad at capturing low light. Either avoid this situation or bring external light source. Period. It will actually make you better photographer because you have to think about light first before anything else.

Bokeh / Background Blur.

IMG_0557

There are three factors that determine the bokeh in your photograph. Subject distance, longer focal length and lower aperture (smaller f-stop number).
There is only thing in your control i.e., distance between you r subject and camera. Other two are the limitation of smaller sensor and lens size. So they are pretty much not in your control.
So, smooth buttery bokeh is not possible straight out of the camera.You can get a decent bokeh if you place your subject really close and make sure that background is far away.

Fast Action.

IMG_3390

Mobile phone cameras doesn’t have the fastest shutter. They are not designed for that. They have smaller sensors and in order to compensate it, they shoot at slower shutter speeds.
So, bad luck if you want to capture sports moments with it. But if you have enough amount of light and you are outdoor, you can try it. It can produce shutter speeds of 1/200th or 1/400th of a second. Although it is not enough but you can freeze someone walking quickly with this shutter speed.

Tight Portraits

For tight portraits and headshots, you have to get really close and since phone cameras have a wide-angle lenses, they introduce a certain amount of distortion. This distortion bulges the nose and lips and generally produce little awkward portraits.
Try shooting from a little distance and crop it later. You will lose some resolution but certainly get rid of distortion.

Conclusion

Now that, you know the pitfalls of smart phone cameras, you can work around these. As long as you shoot within the limitations, you will get good results. There are entire magazines like Mobiography that are dedicated to mobile photography.
With the increase in mobile phone and social media apps, resolution don’t matter at all. Everyone is seeing your work on small screens so shoot whatever you want with your phone.
The best camera is the one that is with you when you needed it. It’s a famous saying. And it’s so true. Use your camera at all times. It’s an art form. It’s subjective. So, don’t limit yourself and start your creative journey now.

What Is black and white photography and How Does It Work?

Why some pictures look better in black and white as compared to their color counterparts? What few words comes to your mind immediately when you see a black and white photograph? Nostalgia, raw, emotions, etc. ?

I shoot in both color and black and white but there is something peculiar about monochrome. Let’s discuss what is Black and white photography and how it is still relevant today? How it improves your photography in general and when you should avoid it.

1. It’s all about contrast – Painting with LIGHT.

Workers at Mutrah Corniche, Oman

Photography literally means painting with light. When you shoot in black and white, it’s all you have at your disposal. You need a powerful eye to detect proper contrast in your frame to create beautiful images.

Not just contrast, you need to make sure that your subject should stand out in your frame. You need to direct viewers’ eye to your subject. And you have only one thing to play with – CONTRAST.

It really trains your photographic vision because we are used to watch world in front of us in colors. The complementary nature of color creates a contrast in real world. But in black and white photography, you need to create contrast with light and shadows.

TIP : Try to shoot in RAW with black and white creative filter. That way you can see the world in black and white in real-time. You can detect contrast better before clicking it. With a mirror-less camera, you can use this filter even in Electronic Viewfinder (EVF) .

2. Create a better connection with your subject.

The hustle and bustle of Ruwi high street, Oman

One of the advantages of Black and white photography is fewer distractions. In color photography, bright and complementary colors catches viewers attention better. So, if your subject is not bright enough or not in complementary color as compare to background, you are out of luck.

Black and white does your work a bit easier. You just have to concentrate on contrast and not colors. One less thing to worry about. It lets viewers give more attention to subject and its environment. Your message will be much cleaner and easier to understand.

Street photography is better on black and white because of this reason. You don’t have control over your background. So, black and white usually saves your picture. But don’t use this as an excuse to avoid thinking about composition and background. You can check this awesome post The Beginner workflow to street photography for some general tips for shooting street photography.

TIP : Tight Portraits, Street and long exposure work great with black and white. Once you get comfortable with it, try this approach in other niches too.

3. It brings a world unknown to us.

Qantub beach by Imran Zahid-The Shades Photography

As human being, we see the world in color. Black and white is something that we don’t experience normally. If color depicts reality then black and white is your depiction of reality. You can show everyday mundane scenes in a totally new way to your audience.

In Black and white, you can paint the canvas with tones of gray which is completely different in look and feel. Off-course it’s a personal choice but black and white certainly brings a fresh perspective.

TIP: Try landscapes in black and white as very few people have managed to do it correctly. Ansel Adams is one of the best in this business. It will make you stand out among the crowd.

4. It Brings out shapes and textures better.

Portrait of an Old Man at Nathia Gali, Pakistan

Texture and shapes are the second option that you can use to spice up your compositions. The viewers will pay much more attention to these aspect as no color information is there to process.

Subjects that have a strong sense of shapes, lines and curves end up much better in black and white than color. Same goes with texture as well. It evokes the viewer’s tactile sense. Black and white works perfect to add character and atmosphere to you images.

TIP: Old people portraits and multi-layer compositions are the ideal candidates. Black and white will add an extra punch to these type of photographs.

5. It’s much more challenging.

Contemplation at Qantab beach, Oman

Apart from all the above advantages, black and white photography is much more challenging. Just by practicing these tips, you can learn a ton of lessons about composition, contrast and lighting. Choosing a suitable subject for black and white photography is extremely difficult. But with practice you will overcome this thing.

You have limited options to manipulate so you have to come up with intelligent work around to solve the problem at hand. With all these difficulties and limitations, it brings much more joy than snapping an easy picture. Learn more about this on The Power of Black and White Photography.

When you should not use black and white.

We agree that black and white photography is beautiful. still we see a lot of crappy black and white conversions over the internet. That’s because people are converting their images without considering all these aspects. Converting images to black and white will not automatically make you look artistic.

Below are few points that you need to consider before converting your pictures to monochrome.

1. Don’t use black and white to save your already badly composed images. This goes true with noise too. If your image has a lot of noise, converting it to black and white won’t save it. Noise is not bad. Embrace it. But don’t save your noisy images with conversion.

2. Don’t convert your images that add more meaning in color than black and white. Portrait of an old man doesn’t have to be always in black and white. If color adds something to story, go with color instead of black and white.

3. Don’t use black and white as a style statement. People think that shooting in black and white make them fine art photographer. Only shoot in black and white if it really required.

So now that you know enough of black and white photography, what you are waiting for? Go and shoot it 🙂

6 Lessons About Landscape photography You Need To Learn To Succeed

Every genre of photography has its own set of do’s and don’t s. No matter what is your main niche, they will help you in your photography career in general. Landscape photography has its own lessons that does evolve you as a photographer.

Below are 6 lessons that I learned over the years while doing landscape photography. Although landscape is not the only genre I am doing these days, but these lessons do come really handy when I am doing my street and fine art photography.

1. Scout the location and viewpoint before time.

Jebel Akhdar , Oman

Scouting locations before actual shoot is very important in all genres. It is especially of utmost importance in landscape photography. You have very less control over your target environment. You have a limited span of time as light change all the time. So, it’s a good if you scout the location you want to photograph a day before if you have time.

If you don’t have that much time, you can visit it in times that we normally don’t consider a good time. For example, you can go to the location at night or in the middle of the day. You can make use of this free time and become aware about the limitations before you actually going to take photographs.

2. Check for local and government permissions.

Grand Mosque, Muscat,Oman

It’s a mandatory part of scouting location that you should be aware about any legal difficulties about your future shoot. You need to get property release sometimes if you are planning to sell pictures later on. You must check where you will get these prerequisites before hand. Otherwise the shoot will be useless later on if you want to sell and didn’t have release at that time.

Some of the locations are of government and security importance. Photography is not allowed on these locations at all. You might get into trouble if you don’t know about that already. The chances are very thin but it’s always better to be on a safer side. You can check with local authorities about this before shoot.

3. Check for sunrise and sunset angles.

Best time for shooting landscapes are either Sunrise and sunset. It is because of golden hour or blue hour when light when light angle is good. Not every location is feasible for sunset and sunrises alike. Foreground and backdrop of sunrise/sunset is very important. Even if sunset or sunrise is actually your subject, a good foreground makes a huge difference.

I have been a victim of this issue a lot of time. Always visit that place around sunrise or sunset to get a rough idea about the quality and angle of light. That will help you to create a basic composition in mind.

4. Check for local activities and their timings

Salalah, Oman

Famous landmarks have local activities going on at particular timings of day. It’s very important to check their schedules. Those activities in your photograph could add a touch of local touch and feel.

They add a dimension of story to your image. Otherwise it will become a distraction and could ruin your image. Getting this information lets you decide whether you should included it or not.

5. Research on internet

Bausher Heights, Oman

Any kind of research on internet about famous places gives you a lot of insight into that place. You will be fully aware about its history, weather, general difficulties etc. Researching a place lets you avoid all kind of clichés and help you in planning your shot that might be very unique.

For example I live in Oman and created a small post about the various Places in Oman worth photographing. Few of the other posts are Photography tour of Oman and Photography workshop in Oman. You  can do search on internet for posts like these to plan your trip properly.

6. Wake up long before time

Jebel Shams, Oman

Landscape photography is all about being at proper place at proper time. You heard about the decisive moment. The more time you spend in setting up your gear prevent you from looking at the place creatively.

Wake up early and travel to your location before time. You can setup your gear, take some test shots, check your exposure and composition and you are good to go. When the time is best for taking a photograph, shoot it.

Conclusion

Landscape photography sometimes feels mundane and boring. It doesn’t have those rapid challenges that you face in street and travel photography. But it develop certain habits that will help you in your over all life. Those are patience and discipline.

That’s the biggest take away from landscape photography. Being a good landscape photographer means you have a lot of these two habits. So, develop these two habits and shoot jaw-dropping landscapes.

Happy shooting 🙂

Gems of Oman – The Qantab Village

The Gems of Oman is a series which contains photo stories and videos about various worth photographing locations of Oman. Qantab beach and its near by fishermen village is just one of them. With a beautiful coastline,  gorgeous sunrise and friendly local people, Qantab is one of the most sought after locations if you are visiting Oman or you are deep into  photography.

Shot completely on Olympus OMD-EM 5 hand held.

For dedicated Photography Tour in Oman click here. For Photography Workshop in Oman click here.

 

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